{"id":1570,"date":"2026-11-13T02:46:31","date_gmt":"2026-11-13T02:46:31","guid":{"rendered":"https:\/\/masoretes.online\/wordpress\/the-london-codex-and-the-scribe-who-hid-his-name\/"},"modified":"2026-11-14T01:16:43","modified_gmt":"2026-11-14T01:16:43","slug":"the-london-codex-and-the-scribe-who-hid-his-name","status":"publish","type":"post","link":"https:\/\/masoretes.online\/wordpress\/the-london-codex-and-the-scribe-who-hid-his-name\/","title":{"rendered":"The London Codex and the Scribe Who Hid His Name"},"content":{"rendered":"\n<p class=\"wp-block-paragraph lead\">Somewhere in the Near East, early in the tenth century or perhaps before, a scribe finishing a large Torah codex decided to sign it without writing a colophon. He hid his name in the margins instead. Among the Masoretic notes that collect rare words, each list could be written in any order, so he arranged the entries so that their initial letters spelled out <em>Nissi ben Daniel ha-Kohen<\/em>, followed by a blessing, \u201cmay God preserve him.\u201d Then he added, written out in full, the phrase \u201caccording to the name of the scribe, vocaliser and masoretic annotator.\u201d Kim Phillips, who has been \u201cexcavating\u201d the codex layer by layer, notes that the scribe did this three times.<sup class=\"fn-ref\" id=\"ref-1\"><a href=\"#note-1\">1<\/a><\/sup> The British Library\u2019s description lists the places where the name is inscribed in the Masoretic notes: folios 40r, 113v and 139r.<sup class=\"fn-ref\" id=\"ref-2\"><a href=\"#note-2\">2<\/a><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Centuries later the beginning and end of his codex were lost. In 1540 someone supplied the missing Genesis and Deuteronomy on paper, in a Yemenite square script, and an owner wrote a note in Persian, in Hebrew letters, on the last leaf. That note is now illegible.<sup class=\"fn-ref\" id=\"ref-3\"><a href=\"#note-3\">3<\/a><\/sup> On 9 May 1891 the British Museum bought the composite volume, and it received the shelfmark Oriental 4445.<sup class=\"fn-ref\" id=\"ref-4\"><a href=\"#note-4\">4<\/a><\/sup> Within a decade Robert K. Douglas, the Museum\u2019s Keeper of Oriental books, introduced its Hebrew catalogue by calling it \u201cthe earliest known copy of the Hebrew Pentateuch.\u201d<sup class=\"fn-ref\" id=\"ref-5\"><a href=\"#note-5\">5<\/a><\/sup> It is often called the London Codex.<sup class=\"fn-ref\" id=\"ref-6\"><a href=\"#note-6\">6<\/a><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">That claim no longer stands in that form, and the codex\u2019s date and origin are still debated. What has not changed is the reason scholars keep returning to it. Or. 4445 preserves nearly two thirds of the Torah as it was first written, pointed and annotated in the age of the Tiberian Masoretes. Its margins carry a Masorah older in form than that of the great complete Bibles, and a note that seems to speak of Ben Asher as a living man.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"a-pentateuch-in-two-ages\">A Pentateuch in Two Ages<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The book is a composite. The British Library\u2019s description, based on George Margoliouth\u2019s catalogue, records 186 folios. Folios 1\u201328, 125, 128 and 159\u2013186 are paper and were added in 1540. A considerable number of leaves are mutilated, and some, such as folios 122\u201324 and 126\u201327, are badly damaged.<sup class=\"fn-ref\" id=\"ref-7\"><a href=\"#note-7\">7<\/a><\/sup> In Margoliouth\u2019s own description of 1899, the vellum leaves measure about 16\u00bd by 13 inches. The original arrangement of the quires was already uncertain then, because leaves had been cancelled in places and many folios had been joined together irregularly.<sup class=\"fn-ref\" id=\"ref-8\"><a href=\"#note-8\">8<\/a><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What survives of the ancient manuscript begins in the middle of the story of Joseph, at Genesis 39:20, on folio 29, and runs to Deuteronomy 1:33.<sup class=\"fn-ref\" id=\"ref-9\"><a href=\"#note-9\">9<\/a><\/sup> The books begin at folio 1v (Genesis), 42r (Exodus), 85r (Leviticus), 115r (Numbers) and 158v (Deuteronomy).<sup class=\"fn-ref\" id=\"ref-10\"><a href=\"#note-10\">10<\/a><\/sup> Christian David Ginsburg, who made the codex the first manuscript in his list of witnesses, described it as running \u201con continuously from Gen. XXXIX 20 to Deut. I 33,\u201d except for the two interior leaves that had been replaced.<sup class=\"fn-ref\" id=\"ref-11\"><a href=\"#note-11\">11<\/a><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The later restoration has its own history. Phillips dates the replacement leaves to 1539 and describes their scribe as being of Yemenite or Persian origin. \u201cIt\u2019s OK, you can say it,\u201d he writes of a page from the sixteenth-century leaves: \u201cno, they are nowhere near as beautiful as the original pages.\u201d He distinguishes four, or four and a half, chronological stages in the book: the original codex, an interim phase, the replacement phase, which came in two parts, and the latest phase.<sup class=\"fn-ref\" id=\"ref-12\"><a href=\"#note-12\">12<\/a><\/sup> Margoliouth printed the mutilated colophon of the newer part from folio 186v. He also noted, on folio 1r, a list of books in a Persian hand of the sixteenth or seventeenth century.<sup class=\"fn-ref\" id=\"ref-13\"><a href=\"#note-13\">13<\/a><\/sup><\/p>\n\n\n\n<figure class=\"ornate-card overflow-hidden mb-8\"><picture class=\"article-figure-picture\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/masoretes.online\/wordpress\/wp-content\/uploads\/2026\/11\/or-4445-journal-restorer.jpg\" alt=\"A copyist in a striped robe and turban, seen from behind, sits on a red and blue patterned carpet in a whitewashed room, adding pale paper leaves to an old worn parchment codex on a low wooden stand, with loose sheets, an inkwell and a pot of glue beside him\" class=\"article-figure-img wp-image-1573\" srcset=\"https:\/\/masoretes.online\/wordpress\/wp-content\/uploads\/2026\/11\/or-4445-journal-restorer.jpg?v=20261101clean 1280w, https:\/\/masoretes.online\/wordpress\/wp-content\/uploads\/2026\/11\/or-4445-journal-restorer-300x169.jpg?v=20261101clean 300w, https:\/\/masoretes.online\/wordpress\/wp-content\/uploads\/2026\/11\/or-4445-journal-restorer-1024x576.jpg?v=20261101clean 1024w, https:\/\/masoretes.online\/wordpress\/wp-content\/uploads\/2026\/11\/or-4445-journal-restorer-768x432.jpg?v=20261101clean 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/picture><figcaption class=\"figure-caption\">Illustration: the restoration of 1540, when the lost beginning and end of the codex were replaced on paper. An imagined scene.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"three-columns-without-stretched-letters\">Three Columns Without Stretched Letters<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The ancient pages are laid out in three columns of twenty-one lines each.<sup class=\"fn-ref\" id=\"ref-14\"><a href=\"#note-14\">14<\/a><\/sup> Ginsburg admired the script: \u201clarge, bold and beautiful characters,\u201d furnished with vowel points and accents.<sup class=\"fn-ref\" id=\"ref-15\"><a href=\"#note-15\">15<\/a><\/sup> Margoliouth found the hand identical with the square script of the Codex Babylonicus Petropolitanus, the dated manuscript of the Latter Prophets of 916. Both codices were written with a reed, \u201cand the ink used is thick and shiny.\u201d<sup class=\"fn-ref\" id=\"ref-16\"><a href=\"#note-16\">16<\/a><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Several details of the writing caught both cataloguers\u2019 attention. The upper stroke of the letter <em>lamed<\/em> is greatly lengthened in the first line of a page. The left edges of the columns are ragged, because, as Margoliouth put it, the scribe did not know \u201cthe use of (or not caring to employ) elongated letters.\u201d<sup class=\"fn-ref\" id=\"ref-17\"><a href=\"#note-17\">17<\/a><\/sup> Ginsburg made the same observation more emphatically: the dilated letters that later scribes stretched to fill out a line \u201cdid not then exist, and are indeed a modern device.\u201d<sup class=\"fn-ref\" id=\"ref-18\"><a href=\"#note-18\">18<\/a><\/sup> When a word would not fit, the scribe filled the gap with dots or unfinished letters rather than abbreviating.<sup class=\"fn-ref\" id=\"ref-19\"><a href=\"#note-19\">19<\/a><\/sup> Margoliouth noticed that parts of the letter <em>alef<\/em> were usually used as fillers. He wondered whether this hinted that the scribe\u2019s name began with that letter, but found \u201cno sufficient certainty on the point.\u201d<sup class=\"fn-ref\" id=\"ref-20\"><a href=\"#note-20\">20<\/a><\/sup> The name, when it was found, began with <em>nun<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Phillips, comparing the scribal habits of the great codices, describes the same filling technique. The original scribe of Or. 4445, which he calls B, \u201cpredominantly used raised dots at the end of the line, raised dots between the last words of a line, the first stroke(s) of the alef,\u201d and less often part of the first letter of the next line.<sup class=\"fn-ref\" id=\"ref-21\"><a href=\"#note-21\">21<\/a><\/sup> The same scribe, he adds, \u201cwas very diligent in marking virtually all spirantized begadkfat letters with rafe,\u201d and \u201cassiduous in marking non-consonantal final he with rafe.\u201d<sup class=\"fn-ref\" id=\"ref-22\"><a href=\"#note-22\">22<\/a><\/sup> Ginsburg recorded other peculiarities of letter form. The left leg of <em>he<\/em> is closed at the top like that of <em>\u1e25et<\/em>, <em>yod<\/em> has a longer shaft than usual, and final <em>nun<\/em> is hardly longer than <em>zayin<\/em>. The vowel <em>qame\u1e63<\/em> still has its primitive form, a <em>pata\u1e25<\/em> with a dot beneath it.<sup class=\"fn-ref\" id=\"ref-23\"><a href=\"#note-23\">23<\/a><\/sup><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"before-the-verse-divider\">Before the Verse Divider<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">One feature in particular persuaded the early cataloguers that the codex was very old. Every later manuscript Ginsburg collated marked the end of a verse with a sign like a colon, the <em>sof pasuq<\/em>. In Or. 4445 that sign \u201cwas originally entirely absent.\u201d The end of a verse was marked only by the <em>silluq<\/em> accent under its last word, followed closely by the first word of the next verse. When a later Masoretic annotator added the two dots, Ginsburg wrote, \u201cthey are frequently forced in between the verses for want of space.\u201d<sup class=\"fn-ref\" id=\"ref-24\"><a href=\"#note-24\">24<\/a><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Margoliouth drew the same conclusion from the same evidence. He noted that verse divisions were regularly used in the St Petersburg manuscript of 916 but were originally absent from Or. 4445. That fact, \u201ctogether with the stiffer and somewhat less formed type of writing used in the MS., appears unmistakably to point to its greater antiquity.\u201d<sup class=\"fn-ref\" id=\"ref-25\"><a href=\"#note-25\">25<\/a><\/sup> He added a third consideration in a footnote: the three-column layout. William Wright had observed that Syriac manuscripts in three columns \u201care scarcely to be met with after the seventh century.\u201d<sup class=\"fn-ref\" id=\"ref-26\"><a href=\"#note-26\">26<\/a><\/sup> Ginsburg, describing the Petersburg codex, made the comparison directly. Its letters were \u201calmost identical\u201d with those of Or. 4445, but it had \u201calready the verse-divider or SophPasuk (:) which is still absent in Orient. 4445.\u201d<sup class=\"fn-ref\" id=\"ref-27\"><a href=\"#note-27\">27<\/a><\/sup> The journal\u2019s essay on <a href=\"https:\/\/masoretes.online\/wordpress\/codex-babylonicus-petropolitanus-the-eastern-prophets-of-916-ce\/\">Codex Babylonicus Petropolitanus<\/a> describes that dated partner.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"a-pointing-without-fixed-rules\">A Pointing Without Fixed Rules<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The vowels and accents of Or. 4445 follow the Tiberian system, not the superlinear Babylonian pointing of the 916 Prophets. Margoliouth thought the pointing was \u201cin all probability contemporary with the consonantal text.\u201d<sup class=\"fn-ref\" id=\"ref-28\"><a href=\"#note-28\">28<\/a><\/sup> Its most noticeable feature is the scarce and irregular use of the <em>meteg<\/em> and <em>ga\u02bfya<\/em>, the small vertical strokes that mark secondary stress. Margoliouth gave examples. On folio 120a the same word appears with a <em>meteg<\/em> in one column, without it in the next, and with a <em>ga\u02bfya<\/em> lower down. The manuscript, he concluded, \u201cappears to have been punctuated at a time when no fixed rules for the use of either \u2018metheg\u2019 or \u2018ga\u2019ya\u2019 had yet been established.\u201d<sup class=\"fn-ref\" id=\"ref-29\"><a href=\"#note-29\">29<\/a><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ginsburg reached the same verdict, and stated it in a sentence that sums up the codex\u2019s value for the history of pointing.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-style-fl-pull\"><p>As this is a most accurately written MS. and as the accuracy extends both to the vowel-points and accents, it is evident that it belongs to a period when the superfine speculations about the Metheg and the Gaya had not as yet asserted themselves.<\/p><cite>Christian D. Ginsburg, Introduction to the Massoretico-Critical Edition of the Hebrew Bible, 1897<sup class=\"fn-ref\" id=\"ref-30\"><a href=\"#note-30\">30<\/a><\/sup><\/cite><\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">The point mattered to him because, as he wrote elsewhere, the presence or absence of the <em>meteg<\/em> or <em>ga\u02bfya<\/em> \u201cconstitutes fully nine-tenths of the differences\u201d between Ben Asher and Ben Naphtali, the two redactors whose disagreements fill the medieval lists. Yet \u201cthe oldest and most beautifully written Codex of the Pentateuch\u201d very rarely used either sign.<sup class=\"fn-ref\" id=\"ref-31\"><a href=\"#note-31\">31<\/a><\/sup> The journal\u2019s essay on <a href=\"https:\/\/masoretes.online\/wordpress\/mishael-ben-uzziel-book-of-differences\/\">Mishael ben Uzziel and the Book of Differences<\/a> describes the lists in which those disagreements were recorded.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The only full-length study of the codex, a 1983 doctoral thesis at the School of Oriental and African Studies by David Lloyd Lyons, refined the picture. Lyons found the vocalization and accents \u201caccurately marked, reflecting in the main the norms and tendencies of Aaron Ben-Aser in the model Aleppo Codex,\u201d with only sporadic errors. Its particular character lay in \u201ccertain features of the metheg-marking\u201d and in its economy with one of the accent signs. In one class of <em>meteg<\/em>, Or. 4445 was actually more regular than the Aleppo Codex. Overall, he concluded, the codex reflected \u201ca slightly less-developed stage than that reflected in the Aleppo and Leningrad Codices.\u201d<sup class=\"fn-ref\" id=\"ref-32\"><a href=\"#note-32\">32<\/a><\/sup><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"ben-asher-without-a-blessing\">Ben Asher Without a Blessing<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">In the outer margin of folio 40b, beside Genesis 49:20, the Masoretic annotator wrote a note that both nineteenth-century scholars found remarkable. It records how \u201cthe great teacher Ben-Asher,\u201d as Ginsburg translated the title, accented a pair of words in four verses. Ben Asher used the conjunctive accent <em>merkha<\/em> in all four places, while others joined the words with a <em>maqqef<\/em>.<sup class=\"fn-ref\" id=\"ref-33\"><a href=\"#note-33\">33<\/a><\/sup> Margoliouth noted that the note \u201cis not at present known to exist anywhere else,\u201d and that the received Masoretic text does not follow Ben Asher\u2019s reading in this instance.<sup class=\"fn-ref\" id=\"ref-34\"><a href=\"#note-34\">34<\/a><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What struck them most was what the note left out. Medieval writers normally followed the name of a dead scholar with a blessing, such as \u201chis rest is in Paradise.\u201d Here there is none. Ginsburg took this as \u201cadditional evidence that the Massorah in question was written in the life-time of Ben-Asher.\u201d<sup class=\"fn-ref\" id=\"ref-35\"><a href=\"#note-35\">35<\/a><\/sup> He found a second mention of Ben Asher without the formula, in the annotator\u2019s note on Leviticus 20:17, on folio 106a. Margoliouth drew the same conclusion: \u201cno euphemism for the dead is used after Ben Asher\u2019s name, thus apparently showing that he was alive at the time.\u201d<sup class=\"fn-ref\" id=\"ref-36\"><a href=\"#note-36\">36<\/a><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The note does not identify which Ben Asher is meant. Ginsburg dated the Masorah of the codex to \u201cthe life-time of the Ben-Ashers circa A. D. 900\u2013940,\u201d using the plural for the family of Masoretes to which Aaron ben Asher belonged.<sup class=\"fn-ref\" id=\"ref-37\"><a href=\"#note-37\">37<\/a><\/sup> If the annotator was writing while a Ben Asher still lived, then the margins of Or. 4445 come from the lifetime of the Ben Asher family itself. The journal\u2019s essay on <a href=\"https:\/\/masoretes.online\/wordpress\/the-tiberian-masorah-and-the-schools-of-ben-asher-and-ben-naphtali\/\">the schools of Ben Asher and Ben Naphtali<\/a> follows that family and its rivals.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"the-masorah-in-the-margins\">The Masorah in the Margins<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The Masoretic apparatus is laid out with great regularity. Two lines of the Masorah Magna generally run along the upper margin of each page and four along the lower. The outer margins and the spaces between the columns hold the Masorah Parva.<sup class=\"fn-ref\" id=\"ref-38\"><a href=\"#note-38\">38<\/a><\/sup> Ginsburg believed both had been added about a century after the text was written, by the annotator or <em>naqdan<\/em> who revised it. \u201cThe Massorah which is here exhibited in its oldest form,\u201d he wrote, \u201cfrequently uses a terminology different from that employed in MSS. of the eleventh and twelfth centuries.\u201d<sup class=\"fn-ref\" id=\"ref-39\"><a href=\"#note-39\">39<\/a><\/sup> Margoliouth agreed, though more cautiously, that the Masorah was written \u201cabout a century (?) later than the text.\u201d<sup class=\"fn-ref\" id=\"ref-40\"><a href=\"#note-40\">40<\/a><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lyons described the Masorah as \u201cprofuse.\u201d Masorah Parva, enumerative Masorah Magna and cumulative Masorah are recorded throughout. Some notes resemble the Babylonian Masorah in style and form, \u201cbut no direct influence can be assumed,\u201d while the cumulative lists are specifically Tiberian. The apparatus is relatively accurate. Its counts and descriptions \u201capparently surpass (somewhat) those of the Leningrad Codex,\u201d but fall short of the Aleppo Codex in precision.<sup class=\"fn-ref\" id=\"ref-41\"><a href=\"#note-41\">41<\/a><\/sup> Lyons compared the cumulative lists with the Masoretic compendium <em>Okhlah ve-Okhlah<\/em> and concluded that the two collections \u201ccannot be treated as variant recensions of a single compendium.\u201d<sup class=\"fn-ref\" id=\"ref-42\"><a href=\"#note-42\">42<\/a><\/sup> That compendium is the subject of the journal\u2019s essay on <a href=\"https:\/\/masoretes.online\/wordpress\/okhlah-ve-okhlah-masoretic-lists\/\">the lists of Okhlah ve-Okhlah<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ginsburg chose a page of Or. 4445 to show students what the Masorah looked like at its beginnings. In his introduction he printed the Masorah of folio 94b, covering Leviticus 11:4\u201321, in parallel with the notes on the same verses from nine other manuscripts and the first edition of the rabbinic Bible.<sup class=\"fn-ref\" id=\"ref-43\"><a href=\"#note-43\">43<\/a><\/sup> He also reproduced the page as a collotype facsimile, which, the caption records, was presented to the Trinitarian Bible Society by the Rev. William Bramley-Moore.<sup class=\"fn-ref\" id=\"ref-44\"><a href=\"#note-44\">44<\/a><\/sup> One of its notes, on Leviticus 11:21, gives what Ginsburg called \u201cthe oldest form of the List\u201d of places where the written text has <em>lo<\/em>, \u201cnot,\u201d and the reading is <em>lo<\/em>, \u201cto him.\u201d The note counts fifteen instances, and then adds that \u201cthere are two other passages outside this Massorah,\u201d Isaiah 49:5 and 1 Chronicles 11:20.<sup class=\"fn-ref\" id=\"ref-45\"><a href=\"#note-45\">45<\/a><\/sup> For Ginsburg this showed that the Masoretes of different schools supplemented one another\u2019s lists.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Another note shows the Masoretes guarding the smallest particles of the text. In Exodus 39:33\u201343, where the object marker <em>et<\/em> appears many times, sometimes with the conjunction \u201cand\u201d and sometimes without, the Masorah of Or. 4445 records the exact pattern verse by verse. It ends: \u201cThis is according to the Codex Mugah.\u201d Ginsburg called this \u201cthe earliest Codex quoted by the Massorites, as far as I can trace it.\u201d He read the note as \u201cmanifestly a protest against these variants,\u201d since manuscripts and ancient versions disagree in almost every verse of the passage.<sup class=\"fn-ref\" id=\"ref-46\"><a href=\"#note-46\">46<\/a><\/sup> Margoliouth noticed another authority quoted on folios 30b and 31b, which he took to be \u201can ancient lost codex\u201d like the others the Masoretes named.<sup class=\"fn-ref\" id=\"ref-47\"><a href=\"#note-47\">47<\/a><\/sup> The journal\u2019s essay on <a href=\"https:\/\/masoretes.online\/wordpress\/lost-model-codices-of-the-masorah\/\">the lost model codices of the Masorah<\/a> gathers what is known of those books.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Margoliouth observed two more habits of the annotator. Some rubrics of the Masorah Magna carry vowel points. The Masorah Parva, as a rule, does not mark a <em>qere<\/em> in the margin where there is no audible difference between the written form and the form read aloud.<sup class=\"fn-ref\" id=\"ref-48\"><a href=\"#note-48\">48<\/a><\/sup> Compared with Ginsburg\u2019s great edition of the Masorah, the Masorah Magna of Or. 4445 contained only one or two rubrics not found there. It frequently expressed them differently, however, and in many cases less fully.<sup class=\"fn-ref\" id=\"ref-49\"><a href=\"#note-49\">49<\/a><\/sup><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"open-and-closed-sections\">Open and Closed Sections<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The text of Or. 4445, both cataloguers agreed, belongs to the Western or Palestinian recension on which the received text is based.<sup class=\"fn-ref\" id=\"ref-50\"><a href=\"#note-50\">50<\/a><\/sup> In one respect, however, it differs constantly from later Masoretic Bibles: the division of the text into open and closed sections, the paragraph breaks of the Torah. Ginsburg counted the differences book by book. In the surviving chapters of Genesis and in Exodus, Leviticus and Numbers, the codex shows \u201cno fewer than 116 variations\u201d from the received text.<sup class=\"fn-ref\" id=\"ref-51\"><a href=\"#note-51\">51<\/a><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The remarkable thing, in Ginsburg\u2019s view, was how few of these the later annotator corrected. Out of 116 variations he altered only six, and in one of those six he changed a break that already agreed with the received text so that it no longer did. At Exodus 9:13, where the codex has a closed section as later Bibles do, the annotator wrote that it ought to be open.<sup class=\"fn-ref\" id=\"ref-52\"><a href=\"#note-52\">52<\/a><\/sup> In places where he wanted no break at all, Margoliouth noted, the annotator wrote a term meaning \u201cstraight on.\u201d Margoliouth found one form of the expression on folio 48b \u201cthus testifying to the Persian affinities of the MS.\u201d<sup class=\"fn-ref\" id=\"ref-53\"><a href=\"#note-53\">53<\/a><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The codex also records the older divisions of the Torah. The <em>sedarim<\/em>, the units of the triennial reading cycle, are marked only twice, at Genesis 43:14 and 46:8. Ginsburg remarked that the second does not appear in the official lists or in any other manuscript he collated.<sup class=\"fn-ref\" id=\"ref-54\"><a href=\"#note-54\">54<\/a><\/sup> The annual weekly portions match the received text. The number of verses in each portion is written in the space at its end, and the word <em>parasha<\/em> stands in the margin.<sup class=\"fn-ref\" id=\"ref-55\"><a href=\"#note-55\">55<\/a><\/sup> The journal\u2019s essay on <a href=\"https:\/\/masoretes.online\/wordpress\/the-sedarim-and-the-palestinian-reading-of-the-torah\/\">the sedarim<\/a> explains the Palestinian cycle those two marks belong to.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The verse counts sometimes depart from the later tradition. For the last portion of Genesis, Or. 4445 gives 84 verses where the received text has 85, which Ginsburg thought probably reflected a different recension. At the end of Numbers it states that the book contains 1,285 verses rather than 1,288. Since its figures for the separate portions agree with the other manuscripts in every case but one, Ginsburg concluded that the scribe \u201ccommitted an error in the summing up.\u201d<sup class=\"fn-ref\" id=\"ref-56\"><a href=\"#note-56\">56<\/a><\/sup><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"a-slip-at-leviticus-21\">A Slip at Leviticus 21<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The codex also preserves an ordinary copying error. On folio 107a the whole of Leviticus 21:24 was at first left out. Both that verse and the first verse of the next chapter begin with the same Hebrew word, \u201cand he spoke,\u201d and the scribe\u2019s eye skipped from one to the other. Ginsburg cited it as the first example in his chronological survey of this kind of error, a mistake \u201cin operation in all ages and in all countries.\u201d The missing verse was added by a later hand.<sup class=\"fn-ref\" id=\"ref-57\"><a href=\"#note-57\">57<\/a><\/sup> The annotator then had to deal with the paragraph break that the inserted verse now occupied. Ginsburg notes that he rightly marked that an open section belonged there.<sup class=\"fn-ref\" id=\"ref-58\"><a href=\"#note-58\">58<\/a><\/sup><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"part-of-a-whole-bible\">Part of a Whole Bible<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A note on folio 40a suggests that Or. 4445 was once more than a Pentateuch. Among the Masorah\u2019s lists of unique words is the statement, in Margoliouth\u2019s translation, that \u201con the authority of the scribe and the punctuator,\u201d a particular word occurs only once in the Bible. Margoliouth pointed out that the word occurs in Isaiah 10:15, and a similar form in Daniel 11:37. A list that counted it as unique across the whole Bible, on the authority of this scribe and punctuator, implied that they had produced a whole Bible. He concluded that \u201cone is justified in assuming that Or. 4445 is but a small portion of a complete Bible written and punctuated in exactly the same ancient manner.\u201d<sup class=\"fn-ref\" id=\"ref-59\"><a href=\"#note-59\">59<\/a><\/sup> He added that the scribe and the punctuator were possibly the same person.<sup class=\"fn-ref\" id=\"ref-60\"><a href=\"#note-60\">60<\/a><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The name in the margins later answered that question. In the acrostics Phillips describes, Nissi ben Daniel names himself as scribe, vocaliser and Masoretic annotator.<sup class=\"fn-ref\" id=\"ref-61\"><a href=\"#note-61\">61<\/a><\/sup> The British Library\u2019s description takes the same view: Nissi ben Daniel, \u201cprobably also the punctuator of the manuscript.\u201d<sup class=\"fn-ref\" id=\"ref-62\"><a href=\"#note-62\">62<\/a><\/sup> Lyons summarized the codex as a Tiberian Pentateuch \u201cvocalized and annotated by a certain Nissi B. Daniel at the beginning of the 10th century C.E.\u201d<sup class=\"fn-ref\" id=\"ref-63\"><a href=\"#note-63\">63<\/a><\/sup> That sits uneasily with Ginsburg and Margoliouth, who both thought the Masorah had been added about a century after the text.<sup class=\"fn-ref\" id=\"ref-64\"><a href=\"#note-64\">64<\/a><\/sup> The acrostic formula claims all three tasks for one man, and the question of who wrote which layer of the margins is one of the things Phillips\u2019s layer-by-layer study sets out to answer.<sup class=\"fn-ref\" id=\"ref-65\"><a href=\"#note-65\">65<\/a><\/sup><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"nissi-ben-daniel-and-the-road-to-persia\">Nissi ben Daniel and the Road to Persia<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Where Nissi worked is less certain. The British Library dates the codex between 920 and 950 and gives its place of origin as Egypt or Palestine.<sup class=\"fn-ref\" id=\"ref-66\"><a href=\"#note-66\">66<\/a><\/sup> Phillips has gathered evidence that points east instead. One scholar, he writes, suggested a Persian origin because the name Nissi or Nissim was very common in and around modern Iran at the time. More recently Yosef Ofer proposed that a place name is hidden in one of the acrostics. On folio 139r, after the name and the formula about the scribe, eight further list entries follow. Read as an acrostic, their letters give a word that Ofer interprets as \u201cfrom Shaqabad,\u201d a place Phillips identifies with modern Shaqlawa in north-eastern Iraq.<sup class=\"fn-ref\" id=\"ref-67\"><a href=\"#note-67\">67<\/a><\/sup> Margoliouth, as noted above, had already seen Persian affinities in the annotator\u2019s vocabulary.<sup class=\"fn-ref\" id=\"ref-68\"><a href=\"#note-68\">68<\/a><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the second part of his study Phillips adds a piece of evidence of his own. Hardly any early Hebrew Bible manuscripts can be placed securely in the Persian region, he notes: only four, of which two are inaccessible and one too fragmentary to help. The remaining one is National Library of Israel Heb. 8\u00b0 2238, a manuscript containing a single Torah portion, Numbers 13\u201315, dated by its colophon to 1107.<sup class=\"fn-ref\" id=\"ref-69\"><a href=\"#note-69\">69<\/a><\/sup> At Numbers 13:22, where a singular verb appears among plurals in the story of the spies, both manuscripts carry the same Masoretic note in the same very unusual terminology. Where the standard Masorah uses the technical words <em>sevirin<\/em> and <em>rabbim<\/em>, these notes use Aramaic terms that Phillips calls \u201cvery, very unusual indeed.\u201d In Ginsburg\u2019s Masorah, a work of over 2,500 pages, one of these terms appears only three times. Phillips found it nowhere in the Masorah of the Aleppo or Leningrad codices, or in about ten other early manuscripts he checked.<sup class=\"fn-ref\" id=\"ref-70\"><a href=\"#note-70\">70<\/a><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Phillips is careful about what this proves. \u201cWith just one note we can\u2019t say anything with certainty,\u201d he writes, but \u201cit\u2019s another intriguing connection between Or. 4445 and Persia.\u201d<sup class=\"fn-ref\" id=\"ref-71\"><a href=\"#note-71\">71<\/a><\/sup> He also has a firm view on one older claim. Scholarship on the codex, he notes, has focused on its unusually plentiful Masoretic notes and on \u201cthe text itself as a potentially pre-Ben Asher witness to the Tiberian biblical text (spoiler: it isn\u2019t).\u201d<sup class=\"fn-ref\" id=\"ref-72\"><a href=\"#note-72\">72<\/a><\/sup> The later history of the codex, in any case, is Persian. Its ownership colophon is written in Judaeo-Persian, and Phillips thinks a continuing Persian location best explains the interim periods.<sup class=\"fn-ref\" id=\"ref-73\"><a href=\"#note-73\">73<\/a><\/sup><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"how-old-is-it\">How Old Is It<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The date has moved more than once. Ginsburg was not consistent. In his chapter on the Masorah he called the codex \u201cnot later than the middle of the eighth century,\u201d with a Masorah about a century later, \u201cabout the middle of the ninth century.\u201d<sup class=\"fn-ref\" id=\"ref-74\"><a href=\"#note-74\">74<\/a><\/sup> In his chapter on Ben Asher he called it \u201cundoubtedly of the early part of the ninth century.\u201d<sup class=\"fn-ref\" id=\"ref-75\"><a href=\"#note-75\">75<\/a><\/sup> In his formal description he wrote that \u201cthough not dated, the original MS. was probably written about A. D. 820\u2013850,\u201d with the Masorah added around 900\u2013940.<sup class=\"fn-ref\" id=\"ref-76\"><a href=\"#note-76\">76<\/a><\/sup> Describing the dated Petersburg codex of 916, he called Or. 4445 \u201cat least half a century earlier.\u201d<sup class=\"fn-ref\" id=\"ref-77\"><a href=\"#note-77\">77<\/a><\/sup> Margoliouth judged that it \u201cmay safely be looked upon as older\u201d than the Petersburg codex and was \u201cprobably written about the middle of the ninth century.\u201d<sup class=\"fn-ref\" id=\"ref-78\"><a href=\"#note-78\">78<\/a><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The arguments behind those dates were palaeographical and typological: the missing verse dividers, the irregular <em>meteg<\/em>, the three columns, the older terminology of the Masorah. They placed Or. 4445 at the very beginning of the age of pointed codices. Later scholarship moved the date forward. The British Library now gives 920\u2013950.<sup class=\"fn-ref\" id=\"ref-79\"><a href=\"#note-79\">79<\/a><\/sup> Lyons placed Nissi\u2019s work \u201cat the beginning of the 10th century.\u201d<sup class=\"fn-ref\" id=\"ref-80\"><a href=\"#note-80\">80<\/a><\/sup> Phillips writes only that the original codex \u201cappears to have been produced in the 10th century (maybe).\u201d<sup class=\"fn-ref\" id=\"ref-81\"><a href=\"#note-81\">81<\/a><\/sup> On any of these dates the codex is among the oldest surviving pointed Torah manuscripts, but no longer the earliest of all.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"from-the-british-museum-to-the-screen\">From the British Museum to the Screen<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The British Library records the acquisition simply: \u201cMrs C. D. Sassoon &#038; Co.: purchased by the British Museum on 09 May 1891.\u201d<sup class=\"fn-ref\" id=\"ref-82\"><a href=\"#note-82\">82<\/a><\/sup> Margoliouth described some features of the manuscript in <em>The Academy<\/em> in April 1892, as Ginsburg noted.<sup class=\"fn-ref\" id=\"ref-83\"><a href=\"#note-83\">83<\/a><\/sup> Ginsburg made it the first manuscript in his account of the witnesses to his edition. He departed from his usual order by country and library so that \u201cthe oldest two Codices, viz. Orient. 4445 in the British Museum and the St. Petersburg Codex dated A. D. 916\u201d could stand at the head of the list.<sup class=\"fn-ref\" id=\"ref-84\"><a href=\"#note-84\">84<\/a><\/sup> The journal\u2019s essay on <a href=\"https:\/\/masoretes.online\/wordpress\/christian-david-ginsburg-a-christian-scholar-on-the-masorah\/\">Christian David Ginsburg<\/a> follows the collator who described it. In 1899 Margoliouth\u2019s catalogue included a photographic plate of the codex, chosen, Douglas explained, as one of the \u201cspecially famous MSS.\u201d<sup class=\"fn-ref\" id=\"ref-85\"><a href=\"#note-85\">85<\/a><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the twentieth century Or. 4445 became one of a small group of codices that every student of the Masorah cites. Phillips writes that \u201cfor the past century or so, Or. 4445 has served as one of the six major biblical codices for the discussion of the Masoretic Text.\u201d<sup class=\"fn-ref\" id=\"ref-86\"><a href=\"#note-86\">86<\/a><\/sup> In the conventional sigla, A is the Aleppo Codex and B is Or. 4445, beside C for the Cairo Codex of the Prophets, L for the Leningrad Codex, and S and S1 for the two Sassoon manuscripts. For details of all of them Phillips refers readers to Israel Yeivin\u2019s <em>Introduction to the Tiberian Masorah<\/em>.<sup class=\"fn-ref\" id=\"ref-87\"><a href=\"#note-87\">87<\/a><\/sup> The journal\u2019s essay on <a href=\"https:\/\/masoretes.online\/wordpress\/israel-yeivin-and-the-description-of-the-pointed-bible\/\">Israel Yeivin<\/a> describes that handbook.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The codex is also now easy to see. It was digitised by the British Library\u2019s Hebrew Manuscripts Digitisation Project, funded by the Polonsky Foundation. Its images and description are in the public domain and are published on OPenn by the University of Pennsylvania Libraries.<sup class=\"fn-ref\" id=\"ref-88\"><a href=\"#note-88\">88<\/a><\/sup> The Library\u2019s own catalogue currently notes that its digital images are \u201ccurrently unavailable\u201d in its viewer.<sup class=\"fn-ref\" id=\"ref-89\"><a href=\"#note-89\">89<\/a><\/sup> Phillips\u2019s essay on Hebrew codicology, written while he was working on the codex, reproduces the codex\u2019s quire numbers, many of which were worn or cropped away in the margins when the manuscript was bound.<sup class=\"fn-ref\" id=\"ref-90\"><a href=\"#note-90\">90<\/a><\/sup><\/p>\n\n\n\n<figure class=\"ornate-card overflow-hidden mb-8\"><picture class=\"article-figure-picture\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/masoretes.online\/wordpress\/wp-content\/uploads\/2026\/11\/or-4445-journal-museum.jpg\" alt=\"A bearded reader in a dark frock coat, seen from behind, studies an open old codex on a cushion with a magnifying glass at a long oak table lit by green-shaded lamps, in a room lined with tall bookcases, while a uniformed attendant carries a box in the distance\" class=\"article-figure-img wp-image-1574\" srcset=\"https:\/\/masoretes.online\/wordpress\/wp-content\/uploads\/2026\/11\/or-4445-journal-museum.jpg?v=20261101clean 1280w, https:\/\/masoretes.online\/wordpress\/wp-content\/uploads\/2026\/11\/or-4445-journal-museum-300x169.jpg?v=20261101clean 300w, https:\/\/masoretes.online\/wordpress\/wp-content\/uploads\/2026\/11\/or-4445-journal-museum-1024x576.jpg?v=20261101clean 1024w, https:\/\/masoretes.online\/wordpress\/wp-content\/uploads\/2026\/11\/or-4445-journal-museum-768x432.jpg?v=20261101clean 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/picture><figcaption class=\"figure-caption\">Illustration: a reader in a museum manuscript room of the 1890s, the decade in which Or. 4445 entered the British Museum and was first described. An imagined scene, not a portrait.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"layers-of-a-single-book\">Layers of a Single Book<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Or. 4445 is a book made in layers. A scribe wrote, pointed and annotated a Torah, and perhaps a whole Bible, in the generation of the Ben Ashers, and hid his name in his own Masorah. A later hand forced verse dividers into the narrow spaces between his verses, and an annotator corrected six of his paragraph breaks and left more than a hundred alone. Five centuries after that, a copyist on paper replaced the lost beginning and end so that the book could be read again from Genesis to Deuteronomy, and a Persian owner signed the last leaf. In 1891 it entered the British Museum, and scholars spent the next century arguing about its age.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Each layer is still visible on the page. The <a href=\"https:\/\/masoretes.online\/codex-orientales.html\">hub page on Codex Orientales 4445<\/a> places it among the great codices of the Masoretic tradition.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"notes\">Notes<\/h2>\n\n\n\n<ol class=\"wp-block-list post-notes\">\n\n<li id=\"note-1\">Kim L. Phillips, \u201cManuscript Archaeology. Oriental 4445, Layer by Layer (Part I),\u201d <em>Kim\u2019s Substack<\/em>, 19 May 2026, at <a href=\"https:\/\/kimlphillips.substack.com\/p\/manuscript-archaeology\">kimlphillips.substack.com<\/a>. <a href=\"#ref-1\" aria-label=\"Return to citation 1\">*<\/a><\/li>\n\n<li id=\"note-2\">British Library, \u201cOr 4445 <span lang=\"he\" dir=\"rtl\">\u05ea\u05d5\u05e8\u05d4<\/span> (Torah),\u201d manuscript description and images, Hebrew Manuscripts Digitisation Project, published on OPenn, University of Pennsylvania Libraries, at <a href=\"https:\/\/openn.library.upenn.edu\/Data\/0047\/html\/or_4445.html\">openn.library.upenn.edu<\/a>. <a href=\"#ref-2\" aria-label=\"Return to citation 2\">*<\/a><\/li>\n\n<li id=\"note-3\">British Library, \u201cOr 4445,\u201d OPenn. <a href=\"#ref-3\" aria-label=\"Return to citation 3\">*<\/a><\/li>\n\n<li id=\"note-4\">British Library, \u201cOr 4445,\u201d OPenn. <a href=\"#ref-4\" aria-label=\"Return to citation 4\">*<\/a><\/li>\n\n<li id=\"note-5\">G. Margoliouth, <em>Catalogue of the Hebrew and Samaritan Manuscripts in the British Museum<\/em>, part 1 (London: British Museum, 1899), no. 64, at <a href=\"https:\/\/archive.org\/details\/p1catalogueofheb00brituoft\">archive.org<\/a>. <a href=\"#ref-5\" aria-label=\"Return to citation 5\">*<\/a><\/li>\n\n<li id=\"note-6\">British Library, \u201cOr 4445,\u201d OPenn. <a href=\"#ref-6\" aria-label=\"Return to citation 6\">*<\/a><\/li>\n\n<li id=\"note-7\">British Library, \u201cOr 4445,\u201d OPenn. <a href=\"#ref-7\" aria-label=\"Return to citation 7\">*<\/a><\/li>\n\n<li id=\"note-8\">Margoliouth, <em>Catalogue<\/em>, part 1, 36. <a href=\"#ref-8\" aria-label=\"Return to citation 8\">*<\/a><\/li>\n\n<li id=\"note-9\">Margoliouth, <em>Catalogue<\/em>, part 1, 37. <a href=\"#ref-9\" aria-label=\"Return to citation 9\">*<\/a><\/li>\n\n<li id=\"note-10\">British Library, \u201cOr 4445,\u201d OPenn. <a href=\"#ref-10\" aria-label=\"Return to citation 10\">*<\/a><\/li>\n\n<li id=\"note-11\">Christian D. Ginsburg, <em>Introduction to the Massoretico-Critical Edition of the Hebrew Bible<\/em> (London: Trinitarian Bible Society, 1897), at <a href=\"https:\/\/archive.org\/details\/introductionofma00ginsuoft\">archive.org<\/a>, 469. <a href=\"#ref-11\" aria-label=\"Return to citation 11\">*<\/a><\/li>\n\n<li id=\"note-12\">Phillips, \u201cOriental 4445, Layer by Layer (Part I)\u201d. <a href=\"#ref-12\" aria-label=\"Return to citation 12\">*<\/a><\/li>\n\n<li id=\"note-13\">Margoliouth, <em>Catalogue<\/em>, part 1, 39. <a href=\"#ref-13\" aria-label=\"Return to citation 13\">*<\/a><\/li>\n\n<li id=\"note-14\">British Library, \u201cOr 4445,\u201d OPenn; Ginsburg, <em>Introduction<\/em>, 470. <a href=\"#ref-14\" aria-label=\"Return to citation 14\">*<\/a><\/li>\n\n<li id=\"note-15\">Ginsburg, <em>Introduction<\/em>, 469\u2013470. <a href=\"#ref-15\" aria-label=\"Return to citation 15\">*<\/a><\/li>\n\n<li id=\"note-16\">Margoliouth, <em>Catalogue<\/em>, part 1, 36\u201337. <a href=\"#ref-16\" aria-label=\"Return to citation 16\">*<\/a><\/li>\n\n<li id=\"note-17\">Margoliouth, <em>Catalogue<\/em>, part 1, 37. <a href=\"#ref-17\" aria-label=\"Return to citation 17\">*<\/a><\/li>\n\n<li id=\"note-18\">Ginsburg, <em>Introduction<\/em>, 470. <a href=\"#ref-18\" aria-label=\"Return to citation 18\">*<\/a><\/li>\n\n<li id=\"note-19\">Ginsburg, <em>Introduction<\/em>, 165. <a href=\"#ref-19\" aria-label=\"Return to citation 19\">*<\/a><\/li>\n\n<li id=\"note-20\">Margoliouth, <em>Catalogue<\/em>, part 1, 37. <a href=\"#ref-20\" aria-label=\"Return to citation 20\">*<\/a><\/li>\n\n<li id=\"note-21\">Kim Phillips, \u201cA New Codex from the Scribe behind the Leningrad Codex. L17,\u201d <em>Tyndale Bulletin<\/em> 68.1 (2017), 1\u201329, at <a href=\"https:\/\/www.tyndalebulletin.org\/article\/29425-a-new-codex-from-the-scribe-behind-the-leningrad-codex-l17.pdf\">tyndalebulletin.org<\/a>, 14. <a href=\"#ref-21\" aria-label=\"Return to citation 21\">*<\/a><\/li>\n\n<li id=\"note-22\">Phillips, \u201cL17\u201d, 17. <a href=\"#ref-22\" aria-label=\"Return to citation 22\">*<\/a><\/li>\n\n<li id=\"note-23\">Ginsburg, <em>Introduction<\/em>, 473\u2013474. <a href=\"#ref-23\" aria-label=\"Return to citation 23\">*<\/a><\/li>\n\n<li id=\"note-24\">Ginsburg, <em>Introduction<\/em>, 473. <a href=\"#ref-24\" aria-label=\"Return to citation 24\">*<\/a><\/li>\n\n<li id=\"note-25\">Margoliouth, <em>Catalogue<\/em>, part 1, 37. <a href=\"#ref-25\" aria-label=\"Return to citation 25\">*<\/a><\/li>\n\n<li id=\"note-26\">Margoliouth, <em>Catalogue<\/em>, part 1, 37. <a href=\"#ref-26\" aria-label=\"Return to citation 26\">*<\/a><\/li>\n\n<li id=\"note-27\">Ginsburg, <em>Introduction<\/em>, 475. <a href=\"#ref-27\" aria-label=\"Return to citation 27\">*<\/a><\/li>\n\n<li id=\"note-28\">Margoliouth, <em>Catalogue<\/em>, part 1, 37. <a href=\"#ref-28\" aria-label=\"Return to citation 28\">*<\/a><\/li>\n\n<li id=\"note-29\">Margoliouth, <em>Catalogue<\/em>, part 1, 37. <a href=\"#ref-29\" aria-label=\"Return to citation 29\">*<\/a><\/li>\n\n<li id=\"note-30\">Ginsburg, <em>Introduction<\/em>, 474. <a href=\"#ref-30\" aria-label=\"Return to citation 30\">*<\/a><\/li>\n\n<li id=\"note-31\">Ginsburg, <em>Introduction<\/em>, 278. <a href=\"#ref-31\" aria-label=\"Return to citation 31\">*<\/a><\/li>\n\n<li id=\"note-32\">David Lloyd Lyons, \u201cThe Vocalization, Accentuation and Masora of Codex Or. 4445 (Brit. Mus.) and Their Place in the Development of the Tiberian Masora\u201d (PhD thesis, School of Oriental and African Studies, University of London, 1983), abstract at <a href=\"https:\/\/openalex.org\/works\/W3194695750\">openalex.org<\/a>. <a href=\"#ref-32\" aria-label=\"Return to citation 32\">*<\/a><\/li>\n\n<li id=\"note-33\">Ginsburg, <em>Introduction<\/em>, 249. <a href=\"#ref-33\" aria-label=\"Return to citation 33\">*<\/a><\/li>\n\n<li id=\"note-34\">Margoliouth, <em>Catalogue<\/em>, part 1, 38. <a href=\"#ref-34\" aria-label=\"Return to citation 34\">*<\/a><\/li>\n\n<li id=\"note-35\">Ginsburg, <em>Introduction<\/em>, 249\u2013250. <a href=\"#ref-35\" aria-label=\"Return to citation 35\">*<\/a><\/li>\n\n<li id=\"note-36\">Ginsburg, <em>Introduction<\/em>, 470; Margoliouth, <em>Catalogue<\/em>, part 1, 38. <a href=\"#ref-36\" aria-label=\"Return to citation 36\">*<\/a><\/li>\n\n<li id=\"note-37\">Ginsburg, <em>Introduction<\/em>, 470. <a href=\"#ref-37\" aria-label=\"Return to citation 37\">*<\/a><\/li>\n\n<li id=\"note-38\">Ginsburg, <em>Introduction<\/em>, 470. <a href=\"#ref-38\" aria-label=\"Return to citation 38\">*<\/a><\/li>\n\n<li id=\"note-39\">Ginsburg, <em>Introduction<\/em>, 470. <a href=\"#ref-39\" aria-label=\"Return to citation 39\">*<\/a><\/li>\n\n<li id=\"note-40\">Margoliouth, <em>Catalogue<\/em>, part 1, 38. <a href=\"#ref-40\" aria-label=\"Return to citation 40\">*<\/a><\/li>\n\n<li id=\"note-41\">Lyons, \u201cCodex Or. 4445,\u201d abstract. <a href=\"#ref-41\" aria-label=\"Return to citation 41\">*<\/a><\/li>\n\n<li id=\"note-42\">Lyons, \u201cCodex Or. 4445,\u201d abstract. <a href=\"#ref-42\" aria-label=\"Return to citation 42\">*<\/a><\/li>\n\n<li id=\"note-43\">Ginsburg, <em>Introduction<\/em>, 423\u2013424. <a href=\"#ref-43\" aria-label=\"Return to citation 43\">*<\/a><\/li>\n\n<li id=\"note-44\">Ginsburg, <em>Introduction<\/em>, plate before 469. <a href=\"#ref-44\" aria-label=\"Return to citation 44\">*<\/a><\/li>\n\n<li id=\"note-45\">Ginsburg, <em>Introduction<\/em>, 428. <a href=\"#ref-45\" aria-label=\"Return to citation 45\">*<\/a><\/li>\n\n<li id=\"note-46\">Ginsburg, <em>Introduction<\/em>, 429\u2013430. <a href=\"#ref-46\" aria-label=\"Return to citation 46\">*<\/a><\/li>\n\n<li id=\"note-47\">Margoliouth, <em>Catalogue<\/em>, part 1, 38. <a href=\"#ref-47\" aria-label=\"Return to citation 47\">*<\/a><\/li>\n\n<li id=\"note-48\">Margoliouth, <em>Catalogue<\/em>, part 1, 38. <a href=\"#ref-48\" aria-label=\"Return to citation 48\">*<\/a><\/li>\n\n<li id=\"note-49\">Margoliouth, <em>Catalogue<\/em>, part 1, 38. <a href=\"#ref-49\" aria-label=\"Return to citation 49\">*<\/a><\/li>\n\n<li id=\"note-50\">Ginsburg, <em>Introduction<\/em>, 470; Margoliouth, <em>Catalogue<\/em>, part 1, 37. <a href=\"#ref-50\" aria-label=\"Return to citation 50\">*<\/a><\/li>\n\n<li id=\"note-51\">Ginsburg, <em>Introduction<\/em>, 470\u2013472. <a href=\"#ref-51\" aria-label=\"Return to citation 51\">*<\/a><\/li>\n\n<li id=\"note-52\">Ginsburg, <em>Introduction<\/em>, 472. <a href=\"#ref-52\" aria-label=\"Return to citation 52\">*<\/a><\/li>\n\n<li id=\"note-53\">Margoliouth, <em>Catalogue<\/em>, part 1, 38. <a href=\"#ref-53\" aria-label=\"Return to citation 53\">*<\/a><\/li>\n\n<li id=\"note-54\">Ginsburg, <em>Introduction<\/em>, 472; Margoliouth, <em>Catalogue<\/em>, part 1, 38. <a href=\"#ref-54\" aria-label=\"Return to citation 54\">*<\/a><\/li>\n\n<li id=\"note-55\">Ginsburg, <em>Introduction<\/em>, 473; Margoliouth, <em>Catalogue<\/em>, part 1, 38. <a href=\"#ref-55\" aria-label=\"Return to citation 55\">*<\/a><\/li>\n\n<li id=\"note-56\">Ginsburg, <em>Introduction<\/em>, 74, 82. <a href=\"#ref-56\" aria-label=\"Return to citation 56\">*<\/a><\/li>\n\n<li id=\"note-57\">Ginsburg, <em>Introduction<\/em>, 169. <a href=\"#ref-57\" aria-label=\"Return to citation 57\">*<\/a><\/li>\n\n<li id=\"note-58\">Ginsburg, <em>Introduction<\/em>, 472. <a href=\"#ref-58\" aria-label=\"Return to citation 58\">*<\/a><\/li>\n\n<li id=\"note-59\">Margoliouth, <em>Catalogue<\/em>, part 1, 38\u201339. <a href=\"#ref-59\" aria-label=\"Return to citation 59\">*<\/a><\/li>\n\n<li id=\"note-60\">Margoliouth, <em>Catalogue<\/em>, part 1, 38. <a href=\"#ref-60\" aria-label=\"Return to citation 60\">*<\/a><\/li>\n\n<li id=\"note-61\">Phillips, \u201cOriental 4445, Layer by Layer (Part I)\u201d. <a href=\"#ref-61\" aria-label=\"Return to citation 61\">*<\/a><\/li>\n\n<li id=\"note-62\">British Library, \u201cOr 4445,\u201d OPenn. <a href=\"#ref-62\" aria-label=\"Return to citation 62\">*<\/a><\/li>\n\n<li id=\"note-63\">Lyons, \u201cCodex Or. 4445,\u201d abstract. <a href=\"#ref-63\" aria-label=\"Return to citation 63\">*<\/a><\/li>\n\n<li id=\"note-64\">Ginsburg, <em>Introduction<\/em>, 470; Margoliouth, <em>Catalogue<\/em>, part 1, 38. <a href=\"#ref-64\" aria-label=\"Return to citation 64\">*<\/a><\/li>\n\n<li id=\"note-65\">Phillips, \u201cOriental 4445, Layer by Layer (Part I)\u201d. <a href=\"#ref-65\" aria-label=\"Return to citation 65\">*<\/a><\/li>\n\n<li id=\"note-66\">British Library, \u201cOr 4445,\u201d OPenn; British Library Archives and Manuscripts Catalogue, \u201cOr 4445. Pentateuch,\u201d record 032-003376314, at <a href=\"https:\/\/searcharchives.bl.uk\/catalog\/032-003376314\">searcharchives.bl.uk<\/a>. <a href=\"#ref-66\" aria-label=\"Return to citation 66\">*<\/a><\/li>\n\n<li id=\"note-67\">Phillips, \u201cOriental 4445, Layer by Layer (Part I)\u201d. <a href=\"#ref-67\" aria-label=\"Return to citation 67\">*<\/a><\/li>\n\n<li id=\"note-68\">Margoliouth, <em>Catalogue<\/em>, part 1, 38. <a href=\"#ref-68\" aria-label=\"Return to citation 68\">*<\/a><\/li>\n\n<li id=\"note-69\">Kim L. Phillips, \u201cManuscript Archaeology. Oriental 4445, Layer by Layer (Part II),\u201d <em>Kim\u2019s Substack<\/em>, 26 May 2026, at <a href=\"https:\/\/kimlphillips.substack.com\/p\/manuscript-archaeology-b9d\">kimlphillips.substack.com<\/a>. <a href=\"#ref-69\" aria-label=\"Return to citation 69\">*<\/a><\/li>\n\n<li id=\"note-70\">Phillips, \u201cOriental 4445, Layer by Layer (Part II)\u201d. <a href=\"#ref-70\" aria-label=\"Return to citation 70\">*<\/a><\/li>\n\n<li id=\"note-71\">Phillips, \u201cOriental 4445, Layer by Layer (Part II)\u201d. <a href=\"#ref-71\" aria-label=\"Return to citation 71\">*<\/a><\/li>\n\n<li id=\"note-72\">Phillips, \u201cOriental 4445, Layer by Layer (Part I)\u201d. <a href=\"#ref-72\" aria-label=\"Return to citation 72\">*<\/a><\/li>\n\n<li id=\"note-73\">Phillips, \u201cOriental 4445, Layer by Layer (Part I)\u201d. <a href=\"#ref-73\" aria-label=\"Return to citation 73\">*<\/a><\/li>\n\n<li id=\"note-74\">Ginsburg, <em>Introduction<\/em>, 423. <a href=\"#ref-74\" aria-label=\"Return to citation 74\">*<\/a><\/li>\n\n<li id=\"note-75\">Ginsburg, <em>Introduction<\/em>, 249. <a href=\"#ref-75\" aria-label=\"Return to citation 75\">*<\/a><\/li>\n\n<li id=\"note-76\">Ginsburg, <em>Introduction<\/em>, 469\u2013470. <a href=\"#ref-76\" aria-label=\"Return to citation 76\">*<\/a><\/li>\n\n<li id=\"note-77\">Ginsburg, <em>Introduction<\/em>, 475. <a href=\"#ref-77\" aria-label=\"Return to citation 77\">*<\/a><\/li>\n\n<li id=\"note-78\">Margoliouth, <em>Catalogue<\/em>, part 1, 36. <a href=\"#ref-78\" aria-label=\"Return to citation 78\">*<\/a><\/li>\n\n<li id=\"note-79\">British Library, \u201cOr 4445,\u201d OPenn; British Library catalogue, \u201cOr 4445\u201d. <a href=\"#ref-79\" aria-label=\"Return to citation 79\">*<\/a><\/li>\n\n<li id=\"note-80\">Lyons, \u201cCodex Or. 4445,\u201d abstract. <a href=\"#ref-80\" aria-label=\"Return to citation 80\">*<\/a><\/li>\n\n<li id=\"note-81\">Phillips, \u201cOriental 4445, Layer by Layer (Part I)\u201d. <a href=\"#ref-81\" aria-label=\"Return to citation 81\">*<\/a><\/li>\n\n<li id=\"note-82\">British Library, \u201cOr 4445,\u201d OPenn. <a href=\"#ref-82\" aria-label=\"Return to citation 82\">*<\/a><\/li>\n\n<li id=\"note-83\">Ginsburg, <em>Introduction<\/em>, 474. <a href=\"#ref-83\" aria-label=\"Return to citation 83\">*<\/a><\/li>\n\n<li id=\"note-84\">Ginsburg, <em>Introduction<\/em>, 469. <a href=\"#ref-84\" aria-label=\"Return to citation 84\">*<\/a><\/li>\n\n<li id=\"note-85\">Margoliouth, <em>Catalogue<\/em>, part 1. <a href=\"#ref-85\" aria-label=\"Return to citation 85\">*<\/a><\/li>\n\n<li id=\"note-86\">Phillips, \u201cOriental 4445, Layer by Layer (Part I)\u201d. <a href=\"#ref-86\" aria-label=\"Return to citation 86\">*<\/a><\/li>\n\n<li id=\"note-87\">Phillips, \u201cL17\u201d, 2. <a href=\"#ref-87\" aria-label=\"Return to citation 87\">*<\/a><\/li>\n\n<li id=\"note-88\">British Library, \u201cOr 4445,\u201d OPenn. <a href=\"#ref-88\" aria-label=\"Return to citation 88\">*<\/a><\/li>\n\n<li id=\"note-89\">British Library catalogue, \u201cOr 4445\u201d. <a href=\"#ref-89\" aria-label=\"Return to citation 89\">*<\/a><\/li>\n\n<li id=\"note-90\">Kim L. Phillips, \u201cPreaching to the Quire,\u201d <em>Kim\u2019s Substack<\/em>, 4 September 2026, at <a href=\"https:\/\/kimlphillips.substack.com\/p\/preaching-to-the-quire\">kimlphillips.substack.com<\/a>. <a href=\"#ref-90\" aria-label=\"Return to citation 90\">*<\/a><\/li>\n\n<\/ol>\n\n","protected":false},"excerpt":{"rendered":"<p>British Library Or. 4445 preserves nearly two thirds of the Torah as a scribe named Nissi ben Daniel wrote, pointed and annotated it in the age of the Ben Ashers, with a margin that seems to speak of Ben Asher as a living man. Restored on paper in 1540 and bought by the British Museum in 1891, it is still debated for its date and its Persian connections.<\/p>\n","protected":false},"author":1,"featured_media":1571,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-1570","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-text-transmission"],"_links":{"self":[{"href":"https:\/\/masoretes.online\/wordpress\/wp-json\/wp\/v2\/posts\/1570","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/masoretes.online\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/masoretes.online\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/masoretes.online\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/masoretes.online\/wordpress\/wp-json\/wp\/v2\/comments?post=1570"}],"version-history":[{"count":3,"href":"https:\/\/masoretes.online\/wordpress\/wp-json\/wp\/v2\/posts\/1570\/revisions"}],"predecessor-version":[{"id":1664,"href":"https:\/\/masoretes.online\/wordpress\/wp-json\/wp\/v2\/posts\/1570\/revisions\/1664"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/masoretes.online\/wordpress\/wp-json\/wp\/v2\/media\/1571"}],"wp:attachment":[{"href":"https:\/\/masoretes.online\/wordpress\/wp-json\/wp\/v2\/media?parent=1570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/masoretes.online\/wordpress\/wp-json\/wp\/v2\/categories?post=1570"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/masoretes.online\/wordpress\/wp-json\/wp\/v2\/tags?post=1570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}